![baby driver baby driver](https://www.avforums.com/styles/avf/editorial/block//c36ebbade5b2ad4f6e491fa13cd00961_3x3.jpg)
#BABY DRIVER MOVIE#
This movie is all about sensation, about grooving on the very specific but unquestionably catchy hook Wright has laid down for you. This is nothing you haven’t seen before-I’ve seen it joked that Baby Driver is sort of a YA Drive-and I suspect Wright’s fully aware of that. But that last job, thanks to a trio of unpredictable cohorts played by Jamie Foxx, Jon Hamm and Eiza Gonzalez, turns out to be more dangerous than even Baby could have imagined.ģ. Baby works himself to One Last Job-he has to be the youngest person to say “just one last job and I’m out” in movie history-but Doc decides he won’t let him leave, making him work by threatening his waitress girlfriend Debora (Lily James). Baby doesn’t want a life of crime, but accidentally heisting the car of a crime lord named Doc (Kevin Spacey) years before left him in debt to him and in desperate need to pay it off. The Baby of the title is Baby (Ansel Elgort), a teenager (I think) who lost his parents in a car accident as a child that has left him with a ringing in his ears, a ringing which requires him to listen to music constantly and, for reasons not much more complicated than “Edgar Wright wants to score car chases to cool songs,” this has turned him into an amazing getaway driver.
![baby driver baby driver](http://www.impawards.com/2017/posters/baby_driver_xlg.jpg)
This feels like a cinematic love letter to fanboys from a fanboy, and if nothing in it bears much resemblance to normal human activity, hey, what about the movies does?Ģ. The movie is a foot-tapping, sing-a-long gas, though, like many a summer movie before it, it’s best if you don’t spend too much time reflecting on its twists and turns, or expect much emotional involvement. It’s a sugar missile of endorphins aimed directly at the movie dork’s pleasure center, a film that is so eager to get you on its candy-crush wavelength that resistance doesn’t just seem futile, but downright uncharitable. Edgar Wright’s Baby Driver is the sort of movie you have to be careful not to give too much of a home-field advantage to.